After the dragon has been slain
The Dragon, a drama written by the late Russian playwright Eugene Schwartz, is a modern day political fairytale. It tells the story of Lancelot, who on his quest to slay the dragon, stumbles upon a community governed by a hierarchy of bureaucratic clowns who are using the dragon to cover up their own desire for power. Sound familiar? It’s unlikely to be coincidental that the Sri Lankan Janakaraliya group of dramatists chose this piece as one of the adaptations that were performed when they took to the stage in Colombo, after two years of touring more remote areas of the island. In the same way that Schwartz himself demonstrated the repression, militarism, racism and brutality of his homeland under Stalin’s regime from the 1930s to 1950s, modern adaptations may be able to subtly highlight the same issues that continue to plague other parts of the world more than fifty years later. Fairytales, in a sense, are timeless in that they…
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