Photo courtesy of Ajith Senevirathne
Anomaa Rajakaruna’s documentary on the aragalaya, Justice in Flames, was filmed in 2022 when Sri Lanka faced an unprecedented economic crisis. Fuel shortages led to long lines at gas stations and electricity cuts extended for up to 14 hours a day. As the government struggled to manage the spiraling situation, public frustration reached a boiling point, prompting citizens to take to the streets in protest. This outpouring of dissent gave rise to the aragalaya in April 2022, which became a massive anti-government protest that encapsulated the hopes and grievances of thousands. It drew together people from diverse backgrounds who were united in their discontent with the government. Galle Face was transformed into a vibrant protest site where individuals gathered to voice their frustrations over a myriad of suppressed issues. The atmosphere was charged with a sense of urgency and determination as demonstrators chanted slogans, waved banners and shared stories of their struggles.
Among the protesters were not only ordinary citizens but also artists, photographers and musicians. This artistic presence added a unique dimension to the protests, using creative expression as a means of communication and resistance. Art became a vital tool for conveying messages that resonated deeply with the public, making complex social issues accessible to a broader audience.
Justice in Flames is the second part of a film trilogy following Cross of Justice, which documented an art performance where actor Jehan Appuhamy led a walk for justice, protesting the unaddressed investigations into the Easter Sunday attacks.
As a follow up, Justice in Flames focuses on one of the most prominent figures in this artistic uprising; Sujith Rathnayake, a visual artist committed to using his craft as a form of protest. Setting up a makeshift studio at the protest site, Sujith invited fellow protesters to join him in creating art. This collaborative effort transformed the studio into an interactive space where people of all ages could express their emotions through drawing and painting.
The art produced there was not just for aesthetic appreciation; it served as a powerful commentary on the socio-political landscape of Sri Lanka. The makeshift gallery, built adjacent to Sujith’s studio, quickly became a focal point of attraction at Galle Face. Families flocked to the site where children painted alongside adults, fostering a sense of community and solidarity. The gallery showcased various works that reflected the collective pain, anger and hope of those involved in the movement.
However, the peaceful protests faced violent backlash. On May 9, 2022 armed government loyalists launched an attack on the demonstrators occupying Galle Face. This brutal assault resulted in the destruction of tents and artworks, including Sujith’s studio. The gallery, filled with vibrant paintings that captured the spirit of resistance, was among the first targets set ablaze.
The destruction left many heartbroken and dismayed but Sujith and his supporters refused to be disheartened. Within a short time, they rallied together to rebuild the studio and gallery, demonstrating resilience in the face of adversity. The determination to continue their artistic expression amidst chaos embodied the spirit of the aragalaya movement. For Sujith, this setback only fuelled his passion to create and engage with the public.
Following the protests, Sujith organized an exhibition titled Crisis and Struggle in Colombo that featured a range of works including paintings, assemblages, installations and mixed media, all inspired by the historical and current political system. The artworks delved into themes of colonial legacy, law enforcement corruption and the people’s role in electing officials who mismanaged the country. The exhibition served not only as a platform for artistic expression but also as a means of dialogue and reflection on the political climate. Visitors were invited to engage with the art, prompting discussions about the ongoing struggles faced by the LGBTIQ+ community and other marginalised groups in the country. Sujith’s work became a catalyst for change, encouraging attendees to think critically about their roles in society and governance.
Justice in Flames captures the essence of these events, focusing on Sujith’s contributions to the aragalaya. Director Anomaa Rajakaruna initially felt overwhelmed by the scale of the protests but decided to concentrate on the role of artists in the struggle. This focus allowed for a more nuanced exploration of how art can serve as a powerful means of protest and community building.
Sujith’s interactive art not only drew attention to pressing social issues but also fostered a sense of belonging among protesters. The gallery became a space where individuals could share their stories and express their emotions through creative means. This communal aspect of art allowed for a deeper connection between the participants and the cause they were fighting for.
As the documentary unfolds, it illustrates how art acts as a bridge between political activism and individual experiences. Sujith’s gallery became a space where people could engage with the struggle in a way that felt personal and accessible. The art created there resonated with the public, turning abstract political issues into tangible expressions of hope and resilience.
The aragalaya protests highlighted the importance of collective expression in times of crisis. Music, poetry and visual art served as powerful tools for mobilisation, allowing individuals to connect with one another and the larger struggle for justice. The presence of artists at the forefront of the movement not only enriched the protests but also ensured that the voices of the marginalised were heard.
As Sri Lanka continues to navigate its challenges, the aragalaya movement remains a symbol of resilience and unity. The third part of the documentary trilogy titled Music for Justice explores the role of music in the struggle, further emphasising the importance of artistic expression in activism.
Filmmakers and artists such as Sujith Rathnayake remind us that creativity can ignite hope, foster solidarity and inspire a collective call for justice. The arts are not just a reflection of societal issues but active participants in the struggle for change, urging us all to engage and respond.
The aragalaya serves as a powerful reminder of the resilience of the human spirit. Through art, activists have found a way to communicate their struggles and aspirations, transforming personal pain into collective action. As the country continues to grapple with its history and future, the role of art in activism will remain crucial, providing a pathway for dialogue, understanding and ultimately, change.
Justice in Flames will be screened on February 25 at the Goethe Institute.