Archive for the ‘Fiction / Creative Writing’

Writing to Reconcile in Sri Lanka

Shyam Selvadurai 2012-13

Image courtesy Green College I interviewed over email the award-winning author Shyam Selvadurai on a new initiative called Write to Reconcile, of which he is Project Director. Groundviews featured an in-depth interview with Shyam in mid-2011, when he was the curator of the Galle Literary Festival. Write to Reconcile is his brainchild, and I was curious to find out what drove him to think of it, and the challenges around doing this kind of work in a country post-war, but very far removed from a just peace. ### What gave rise to this idea? I first began to think of the project during the last Galle Literary Festival. While I enjoyed many aspects of my job as Festival Curator, the thing I enjoyed most this year was taking the children’s author and story teller, Jeeva Ragunath, to Jaffna to do storytelling workshops there. The response of both students and teachers there really moved me and made me want to do something…

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School closed early today

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Original photo from Ilankai Tamil Sangam School closed early today. Amma was looking very jumpy when she came to pick me up, but she wouldn’t tell me why. When we went to get Loku and Chuti, Chuti was nowhere to be seen. We walked all over school looking for him and finally found him running around with a chair in his hand looking to ‘hit someone’. Amma gave him a good scolding. Serves him right. On the way home we saw a group of aiyas dancing around an uncle whose hands were tied to the lamp-post. They were pouring bottles of talcum powder on him, and he was starting to look like a ghost. They were laughing. He was looking sad. I think he was the uncle who worked in the Pharmacy we sometimes bought our Multi-Sanastol from. Amma said it was better if we looked straight. Everyone was on the road today. Lots of Aiyas. Lots of police uncles…

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Invitation to prospective writers: A Sri Lankan Anthology of Hint Fiction

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Photo courtesy The Blue Bookcase Around two months ago, I picked up on a whim Hint Fiction edited by Robert Swartwood. Swartwood’s definition of hint fiction is ‘a story of 25 words or fewer that suggests a larger, more complex story’. As the book’s blurb on Amazon notes, “The stories in this collection run the gamut from playful to tragic, conservative to experimental, but they all have one thing in common: they are no more than 25 words long. Robert Swartwood was inspired by Ernest Hemingway’s possibly apocryphal six-word story—”For Sale: baby shoes, never worn”—to foster the writing of these incredibly short-short stories. He termed them “hint fiction” because the few chosen words suggest a larger, more complex chain of events. Spare and evocative, these stories prove that a brilliantly honed narrative can be as startling and powerful as a story of traditional length. The 125 gemlike stories in this collection come from such best-selling and award-winning authors as Joyce Carol…

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Reconciling what? History, Realism and the Problem of an Inclusive Sri Lankan Imaginary

When Memory Dies

What does reconciliation signify in the Sri Lankan context? In many post-conflict contexts the idea of reconciliation dominates public discussion. This is no different in Sri Lanka. But what exactly is meant by reconciliation? As Susan Dwyer (1999) points out there has been a “global frenzy” on this topic in the post-Apartheid era with the South African Truth and Reconciliation Commission often held up as an exemplary model. Much of this discussion, though, lacks analytical clarity. This is a brief attempt to explore one challenge posed to the notion of reconciliation in Sri Lanka: where or how can an inclusive Sri Lankan imaginary be located? I approach this issue through the area of my disciplinary training, literature, and attempt to reflect on how literary representations in general have struggled to articulate an inclusive conception of Sri Lankaness. A pervasive historical consciousness and the dominance of realism as a genre of writing, I argue, emerge as two inter-related phenomenon that are…

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Arthur C Clarke’s World of 2012: Insights from his Titanic Novel

The novel, a vision and the imagineer

The year was 1989. Margaret Thatcher and George Bush, Snr., were in office. Mikhail Gorbachev was slowly but surely dismantling the Soviet Union. The infamous Iron Curtain was crumbling under pressure from ‘people power’ across Eastern Europe. On the technology front, Personal Computers (PCs) had entered the market only a few years earlier: they were still gadgets in offices than homes. Mobile (cellular) phone services were just rolling out. The Internet was available only to privileged academics and military personnel. Its graphical interface – the World Wide Web – was not even invented. In that year, sitting at his home in Colombo, Sri Lanka and using WordStar software on his Kaypro 2000 laptop (remember them, anyone?), Arthur C Clarke wrote a new science fiction novel. It was his own way of exorcising something that had haunted him for decades: the mighty ship Titanic. As he reflected many years later, “I was born five years after the biggest maritime disaster the…

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In conversation with Shashi Tharoor at Galle Literary Festival

As part of the Galle Literary Festival, I had the opportunity to speak with Shashi Tharoor, whose writing I’ve immensely enjoyed read since my University days in India. As the festival’s website notes, Shashi Tharoor is the prize-winning author of twelve books, both fiction and non-fiction, including the classic The Great Indian Novel (1989), India: From Midnight to the Millennium (1997), Nehru: The Invention of India (2003) and The Elephant, the Tiger and the Cellphone: Reflections on India in the 21st Century (2007). He is an elected member of the Indian parliament, former Minister of State for External Affairs and former Under-Secretary-General of the United Nations. Our hour-long conversation at the Festival was anchored to The Elephant, the Tiger and the Cellphone: Reflections on India in the 21st Century, a collection of essays on India which I noted flows naturally from his earlier collection Bookless in Baghdad. We begin our conversation with an exploration of relative truths, and whether under…

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A-Z of Sri Lankan English: O is for our people

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Boys will not always be boys! Photo credit: National Geographic The possessive pronoun “our” is deceptively simple. But who are the “we” that it refers to? The expression our people is a remarkably high-frequency term in Sri Lankan English. On a search of the Groundviews website, the phrase gets around 400 hits, compared to just 331 in the 100-million-word British National Corpus. In British English, the phrase most often refers to members of a particular organisation (“I’ll get one of our people to call you back”). With reference to nationality, it is rarely used to refer to the whole population of the country, except perhaps in a political context with nationalistic overtones – for example, an anti-immigration tirade bemoaning the plight of “our people”. More often it would be used in the context of a specific group such as Irish Catholics, the Bangladeshi community, etc. In Sri Lankan English, the expression can convey a sense of patriotism, but it is…

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Niromi 2009 versus Niromi Tigress 2011

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Niromi de Soyza’s so-called autobiography, Tamil Tigress, has received extensive coverage in Australia and has traversed the world now because of critical reviews by several personnel and devoted defence from others. It has been described as “part memoir, part compelling reportage, part mea culpa” by Nikki Barrowclough in the Sydney Morning Herald’s weekend magazine.[i] Gordon Weiss, the moral crusader, proclaimed it to be “incredibly moving” and considers it “a story of redemption” (as quoted by Nikki Barrowclough). This may well be one of the motifs that Robert Perinpanayagam, a perceptive commentator, sees as the potential crux of the book in his unelaborated blog comments. Without denying that dimension of the book if one stretches a point and treats it as a “faction,” that is, a “fictional narrative based on real events,” rather than a historical account, its self-presentation as a memoir[ii] and “true story” renders Tamil Tigress liable at the same time to the charge of deception (a combination stressed…

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The singer might change but the song remains the same: A critical look at Roberts and Sarvananthan ‘outing’ Niromi de Soyza

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“….. Everybody believed them to be solid and inanimate – to be true facts. No one yet understood that life would become an uncomfortable, endless walk down a sea shore laid thick with facts of all sizes and shapes. Boulders, pebbles, shards, perfect ovals. No one had begun to imagine that these facts were without any order, opposed or natural – that facts were as meaningful as raw vocabulary without grammar or sentences. A man could pick up any fact he wished and fling it into the sea and make it skip. A practical talented arm could make it skip three, perhaps four times while a lesser limb might make a single plunk with the same concrete proof of some truth or other. Another man might build these facts into some sort of fortress on the shore. John Ralston Saul[1] Facts do not at all speak for themselves, but require a socially acceptable narrative to absorb, sustain and circulate them….

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Outing a Counterfeit Guerrilla: A tale of lies by Tamil Tigress Niromi de Soyza

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The objective of this research note is not only to uncover the truth or otherwise of the “memoir” by Niromi de Soyza (nom de guerre) titled Tamil Tigress: My story as a child soldier in Sri Lanka’s bloody civil war, but to go beyond and investigate the purpose/s of publication of her “personal story” and reason/s for hiding her real name and identity. This research note is based on the reading of the book under scrutiny in its entirety, promotional blurbs and reviews of the book by journalists in Australia, critical reviews of the book by two persons of Sri Lankan origin living in Australia, listening to the author of Tamil Tigress at a literary festival, and discussions with few people among the Tamil diaspora in Melbourne and Sydney. In addition, I sought an interview with Niromi de Soyza, in order to afford her an opportunity to respond to my doubts, which she tried to postpone for two months (but…

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The Role of Writers and Artists during Turbulent Political Times

Muruga Poopathy

I was requested to speak about the important role writers and artists play in the struggle against oppression and in the protection of democratic and human rights of the oppressed. We all know that writers and artists hold strong views on political matters, though they may not be vocal at times. Some of them are fighters. They are not afraid to make choices and decisions if they are popular or not. In Sri Lanka, some have had to sacrifice their lives and some had to go into exile, because of their dedication to certain causes, with which we may or may not agree. We had lived long enough to have experienced periods of the total abuse of democracy. In these periods we have witnessed writers, artists and intellectuals who try to push the envelope and make the world a better place. They are usually branded as troublemakers. Let us consider a recent example in the post-apartheid South Africa. Lebogang Mashile,…

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Going beyond mainstream media: The best Twitter feeds on and from Sri Lanka

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Just over a year ago, in April 2010, Groundviews launched two curated Twitter lists on Sri Lanka to help those in and outside the country access news, information and critical conversations that went far beyond mainstream media’s economic and partisan shackles. One list featured some of the most compelling bloggers in Sri Lanka. The other, a list of news sources and Twitter accounts of journalists. Because they are oriented towards an international audience, the lists largely capture content published in English, though feeds like @vikalpavoices publish mostly in Sinhala. Coupled with our own feed, the two lists are comprehensive and by the very nature of the medium, constantly updated windows into issues, processes and events mainstream media could not, or would not cover. And even when they did, the Twitter updates on these feeds added new perspectives and often, information vital to understand context. On occasion, they have also served to hold mainstream media – both domestic and international –…

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Refuge for Colonel Gadaffi in Island Paradise?

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16 April 2011, Colombo, Sri Lanka: Sri Lanka has in its history occasionally served as a refuge for persecuted personalities but it may have its most controversial refugee yet. Colonel Muammar Muhammad al-Gaddafi has reportedly secured an understanding with the Government to Sri Lanka to secure refuge in the country in the eventuality that he has to flee his native Libya. Sources from within the government confirmed that the offer was made to the Colonel in a telephone call recently following a number of losses by forces loyal to Colonel Gadaffi. Our source clearly stated that the Sri Lankan Government stands firmly with the Government of Colonel Gadaffi and condemns the international intervention of the West, and will ensure its support to ensuring the stability of the Libyan Government. The offer of a refuge has only been offered as a “mark of friendship” between the two leaders confirmed the government source. President Mahinda Rajapakse and Colonel Gadaffi are known to have a…

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New Festival to Promote Unity in Sri Lanka

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16 March 2011, Colombo, Sri Lanka: A press conference was held in Colombo earlier today to launch the latest fixture on Sri Lanka’s ever busier festival calendar. Organisers of The Boycott Festival issued a brief statement and then invited the press to enjoy the refreshments in the ballroom. The Boycott Festival will take place over five days, beginning today and ending after a lunch banquet on Sunday. A full list of objections may be obtained by emailing endorsement@boycott.com. In their statement the festival organisers said they were angry and upset with what has taken place and continues to take place in our country. They admitted that worn down by the last six – and also the last thirty – years, they could no longer muster enthusiasm for anything and would really prefer not to. They were tired, they said, and couldn’t face the journey to the festival site. They would not be attending. Director Karthika Peiris said ‘As ever, we…

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A-Z of Sri Lankan English: I is for isn’t it?

A tag question (or question tag) is a short question tagged onto the end of a sentence: “It’s raining, isn’t it?” It is usually pronounced with a rising-falling intonation (high pitch on isn’t and low pitch on it). It doesn’t add anything to the meaning of the original sentence (“It’s raining”), but it invites a response from the listener (to confirm that it really is raining, or more importantly, that he/she is actually listening). If the speaker is less sure of his/her information, then it might be pronounced with a rising intonation (low pitch on isn’t and high pitch on it). This makes it a genuine question which requires a response from the listener. Tag questions are notoriously difficult in English. They come in the present tense (don’t they? aren’t I? doesn’t it?), the past tense (didn’t you? wasn’t she? weren’t they?), with other auxiliary verbs (haven’t we? won’t she? wouldn’t you?), with modal verbs (can’t I? mustn’t you? shouldn’t…

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About Groundviews

Located at the Centre for Policy Alternatives in Colombo, Sri Lanka, Groundviews is a citizen journalism website that uses a range of genres and media to highlight critical perspectives on governance, reconciliation, human rights, the arts and literature, democracy and other issues. The site has won two international awards, including the prestigious Manthan Award South Asia in 2009. The grand jury's evaluation of the site noted, "What no media dares to report, Groundviews publicly exposes. It's a new age media for a new Sri Lanka... Free media at it's very best!"

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